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Love and its Critics - 4. The Troubadours and Fin'amor: Love, Choice, and the Individual - Open Book Publishers

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Love and its Critics - 4. The Troubadours and Fin'amor: Love, Choice, and  the Individual - Open Book Publishers

In Erich Auerbach’s view, “for the Provençal poets and the [Italian] poets of the new style [dolce stil novo], ‘high love’ was the only major theme”.1 Speaking of die hohe Minne (what French scholars call amour courtois, and English scholars “courtly love”), Auerbach gives voice to a critical consensus that over the last century-and-a half has dominated our understanding of the origins and development of western love poetry. Both the consensus, and Auerbach, are wrong. I. Why “Courtly Love” Is

Love and its Critics - Open Book Publishers

Love and its Critics - Open Book Publishers

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The cultural evolution of love in literary history

The cultural evolution of love in literary history

The Troubadours: An Introduction - Google Books

The Troubadours: An Introduction - Google Books

PDF) Love and its Critics  Michael Bryson

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La cort d'amor: a critical edition 1900755661, 9781900755665

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Love and its critics : from the Song of Songs to Shakespeare and Milton's  Eden

Love and its critics : from the Song of Songs to Shakespeare and Milton's Eden

The City Lament: Mediterranean Microecologies of Courtly Love

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Love and its Critics - 4. The Troubadours and Fin'amor: Love, Choice, and  the Individual - Open Book Publishers

Love and its Critics - 4. The Troubadours and Fin'amor: Love, Choice, and the Individual - Open Book Publishers

Chapter 2 Medieval Poetic Love: Biological Universality and Cultural  Specificity in: Eros and Noesis

Chapter 2 Medieval Poetic Love: Biological Universality and Cultural Specificity in: Eros and Noesis

Love and its Critics - 8. Shakespeare: The Return of Fin'amor - Open Book  Publishers

Love and its Critics - 8. Shakespeare: The Return of Fin'amor - Open Book Publishers

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